书名：【活隐喻．活博物馆系列一】六燃国际互动剧场合集
英文书名Living Metaphor﹒Living Museum Series I
A Compilation of the International Sixth Fuel Factory Interactive Theater
编着：赖雯淑
作者：赖雯淑、王小苗、Max Schumacher、Hiroko Tanahashi
译者：王圣智、赖雯淑
ISBN: 9789865470302
【书介】
一段，被遗忘的二战史
写给六燃，以及那些不被记得却存在的人
「活隐喻．活博物馆」（Living Metaphor．Living Museum）系列出版品，是国立阳明交通大学自2018年起执行文化部「再造历史现场」与教育部高教深耕办公室所支持的新竹六燃保温睦邻与博物馆计画，由阳明交大六燃团队为「日本海军第六燃料厂新竹支厂」（简称新竹六燃）之保存活化议题所展开的大学社会实践之成果。
阳明交大跨领域艺术团队和德国后剧场（Post Theater）联合制作演出《原谅．遗忘》和《无／非纪念碑》两剧，由50位国内外艺术家共同呈现以六燃二战历史为主题的跨领域创作，成为新竹生博物馆（Hsinchu Living Museum）的一大重点。本书正是将演出影像记录、研究论文、两剧的剧本等集结成册，不只是收藏整个计画的内容，更是再次对展演的反复沉思。
【编着简介】
赖雯淑
阳明交通大学应用艺术研究所副教授、文化研究国际中心研究员、质疑性艺术跨域实验室主持人。于美国爱荷华大学完成艺术设计硕士（MA、MFA）和艺术教育哲学博士学位，曾任美国爱荷华大学国际中心平面艺术设计师、美国德州安吉洛州立大学助理教授、加州柏克莱大学访问学者。自2018年起担任六燃保温睦邻计画与阳明交大六燃博物馆计画主持人，也是六燃国际互动剧场制作人，以及2019、2022六燃文件展策展人与论述者。她全力投入新竹六燃的保存与活化工作，透过艺术实践、研究与教学，探索六燃的问题，思考历史、记忆与人的意义。
【目录】
【序】Preface
从参与式的六燃国际互动剧场，跨入多元的历史记忆之所／林奇宏
以人文科技重返六燃现场：一场直视历史的剧场展演行动／陈信宏
从科技美学到历史提问：谁来竖立纪念碑？谁拥有话语权？／林一平
重新触碰记忆，给予真实的原谅／刘纪蕙
【作品集】Collections
不（被）记得，就不存在吗？召唤台湾二战记忆的六燃国际互动剧场
无／非纪念碑
六燃国际互动剧场《无／非纪念碑》的另类历史书写
六燃国际互动剧场《剧外剧》「日本海军第六燃料厂新竹支厂」手机微电影工作坊
六燃国际互动剧场网站与纪录片
Does Forgetting/Oblivion Necessarily Imply Inexistence? The Memory-Evoking Sixth Fuel Factory Interactive Theater and the War Time History of Taiwan
【剧本集】Scripts
无／非纪念碑
原谅．遗忘
【附录】Appendix
-----------------
Book title: Living Metaphor﹒Living Museum Series I
A Compilation of the International Sixth Fuel Factory Interactive Theater
Editor: Wen-Shu LAI
Author: Wen-Shu LAI, Miao WANG, Max Schumacher, Hiroko Tanahashi
Translators: Sheng-chih WANG, Wen-Shu LAI
ISBN: 9789865470302
Introduction
A forgotten history of World War II written
for the Sixth Fuel Factory, and those who are forgotten but do exist
The serial publications of Living Metaphor﹒Living Museum are the result National Yang Ming Chiao Tung University's implementation of the following projects: "Regeneration of Historic Sites" initiated by the Ministry of Culture and the Good Neighborliness Residency Project of the Sixth Fuel as well as Hsinchu Living Museum under the Higher Education SPROUT Project of the Ministry of Education. Starting from 2018, the NYCU team has made efforts to unfold the issue related to the preservation and revitalization of "Japanese Navy's Sixth Fuel Factory Hsinchu Branch"(the Sixth Fuel Factory thereafter).
TransArt NYCU cooperated with Post Theater of Germany to produce two theatrical works-- For-giving, For-getting and Nonuments, in which fifty artists from Taiwan and abroad worked together to display interdisciplinary creations related to the Sixth Fuel Factory in WWII. This became one of the key points in Hsinchu Living Museum. This book with the record of the whole performance, research theses, and the two scripts not only collects the content of the entire project but also can be the contemplation of the artistic display.
Editor
Wen-Shu LAI, Associate Professor of Applied Arts
National Yang Ming Chiao Tung University, Researcher of International Center of Culture Studies, and Project Director of Interrogative transArt Lab, finished her MA and MFA degrees in Art at the University of Iowa and Doctoral degree in Art Education. Lai was the primary graphic artist at International Programs of University of Iowa, taught at Angelo State University in Texas as an assistant professor of art and was a visiting scholar at University of California, Berkeley. Since 2018, Lai has been the project director of the Good Neighborliness Residency Project of the Sixth Fuel Factory and Hsinchu Living Museum promoted by NYCU. Lai was also the producer of the International interactive theater and the curator as well as the discourse maker for the Sixth Fuel Documenta in 2019 and 2022. She dedicates herself to the work of the preservation and revitalization of the Sixth Fuel Factory. Through her artistic practice, research and teaching, Lai explores the issue of the Sixth Fuel Hsinchu, pondering the meanings of history, memories and human beings.
书名：【活隐喻．活博物馆系列二】遇／预见六燃：赖雯淑艺术装置个展作品集
英文书名Living Metaphor﹒Living Museum Series II
A Collection of Wen-Shu Lai’s Art Installations: Encountering/ Foreseeing the Sixth Fuel Factory
作者：赖雯淑
译者：王圣智
ISBN: 9789865470319
【书介】
以记忆．植物．地图三部曲方式展开
将艺术实践叠加在新竹六燃的纹里之上
「活隐喻．活博物馆」（Living Metaphor．Living Museum）系列出版品，是国立阳明交通大学自2018年起执行文化部「再造历史现场」与教育部高教深耕办公室所支持的新竹六燃保温睦邻与博物馆计画，由阳明交大六燃团队为「日本海军第六燃料厂新竹支厂」（简称新竹六燃）之保存活化议题所展开的大学社会实践之成果。
国立阳明交通大学应用艺术研究所赖雯淑副教授，自2018年起执行新竹六燃「大烟囱厂房基地」保温睦邻驻站计画至今已超过三年，她指出新竹是一座二战城市，需要一群具反思、批判和实践能力的市民来保存、活化、滋养她。2021年在大烟囱下所举行的《遇／预见六燃：赖雯淑艺术装置个展》，就是这个行动的具体展现。
《遇／预见六燃》，是一趟生命重新汇聚之旅，沿着蜿蜒如脐带的小径来到烟囱下，与母亲相连，是意图透过艺术行动来开启六燃活隐喻、活历史的建构，以记忆．植物．地图三部曲的方式逐步展开，是将艺术实践叠加在新竹六燃的纹理上，展开交缠互渗的多重部署，互文延展出个人生命中的六燃板块。展出的七件作品，是个体遭逢历史与记忆时，所碰撞推挤出的生命皱褶，但与其说是个人的，还不如说是与众人交会时所折射出的历史记忆晶体，是给大烟囱的一份献礼。
【作者简介】
赖雯淑
阳明交通大学应用艺术研究所副教授、文化研究国际中心研究员、质疑性艺术跨域实验室主持人。于美国爱荷华大学完成艺术设计硕士（MA、MFA）和艺术教育哲学博士学位，曾任美国爱荷华大学国际中心平面艺术设计师、美国德州安吉洛州立大学助理教授、加州柏克莱大学访问学者。自2018年起担任六燃保温睦邻计画与阳明交大六燃博物馆计画主持人，也是六燃国际互动剧场制作人，以及2019、2022六燃文件展策展人与论述者。她全力投入新竹六燃的保存与活化工作，透过艺术实践、研究与教学，探索六燃的问题，思考历史、记忆与人的意义。
【艺术家与展览简介】Introduction of Artist and Exhibition
【序】Preface
艺术家与世界如何相遇？／刘纪蕙
保温睦邻：备战遗址下的日常生活／连瑞枝
生命流转，落地成花／陈瑞桦
【创作论述】Artist Statement
【作品】Work
〈触．纹〉
〈植．根〉
〈声．活〉
〈编织．石头〉
〈种子藏．历史冢．生命地〉
〈时间甬道〉
〈历史．结晶体〉
【对话】Dialogue
【纪录片与网站】Documentary and Website
【附录】Appendix
-----------------------
Book title: Living Metaphor﹒Living Museum Series II
A Collection of Wen-Shu Lai’s Art Installations: Encountering/ Foreseeing the Sixth Fuel Factory
Author: Wen-Shu LAI
Translator: Sheng-chih WANG
ISBN: 9789865470319
Introduction
A trilogy unfolded by memories, plants and maps adds layers of artistic practices on the texture of the Sixth Fuel Hsinchu
Wen-Shu LAI, the Associate Professor of Applied Arts at National Yang Ming Chiao Tung University, has executed the project of "Big Chimney Base," the Good Neighborliness Residency Project of the Sixth Fuel Hsinchu, for more than three years since 2018. She points out that Hsinchu is a city with WWII experience and needs a group of citizens with reflecting, critical and practicing abilities to preserve, revitalize and nurture the city. Encountering/Foreseeing the Sixth Fuel Factory: Solo Art Installations by Wen-Shu Lai exhibited under the big chimney was the concrete practice of the action.
Encountering/Foreseeing the Sixth Fuel Factory is a journey for lives to coverage again. The path to the chimney like the umbilical cord connecting the mother and child is a construction intending to open up the living metaphors and history of the Sixth Fuel Factory through artistic action. By gradually unfolding the path at a trilogy-like pace with memories, plants, and maps, art practices are endowed to the texture of the Sixth Fuel Factory. The multiple deployment intertwining and penetrating one another intertextually extends the plates of the Sixth Fuel Factory in personal life. Seven exhibited works are the creases of life when individuals encounter history and memories. However, these life creases are not so much personal as collective. They are the crystal of historical memories when people assemble and are our dedication to the big chimney.
书名：【活隐喻．活博物馆系列三】2022六燃文件展：移动的六燃
英文书名作者：Living Metaphor・Living Museum III The Sixth Fuel Documenta 2022: The Sixth Fuel Factory in Motion
编者：赖雯淑／编着
作者：王俊秀、沈致轩、史钦泰、邱筠颖、何黛雯、林一平、林子博、林冠吟、林雅萍、林晓薇、施承毅、高绮蔓、 陈启仁、陈佳利、陈怡宁、洪致文、郭中端、堀込宪二、梁信钧、张钧杰、黄舒楣、荣芳杰、赵家麟、邓咏嫣、郑昌杰、刘为光、赖雯淑
译者：王圣智
ISBN：9789865470326
【书介】
唯有真实回应历史、人民的生活与当代的意义，
六燃才能得到自身存在的价值
「与其说六燃文件展是为了研究六燃本身，
不如说是为了理解其意义如何在时间中消失与重新被建构，
是关于我们要如何记得六燃，治理六燃，建构六燃。」——赖雯淑
「活隐喻．活博物馆」（Living Metaphor．Living Museum）系列出版品，是国立阳明交通大学自2018年起执行文化部「再造历史现场」与教育部高教深耕办公室所支持的新竹六燃保温睦邻与博物馆计画，由阳明交大六燃团队为「日本海军第六燃料厂新竹支厂」（简称新竹六燃）之保存活化议题所展开的大学社会实践之成果。
「移动的六燃」给出了「移动的博物馆」之想像，也是 2022 年六燃文件展的命题。与其说移动是打破定点，不如说是移置自我，超越框架。是认知、思想、典范的移转，是历史、行动、言说的挺进。六燃文件展将透过保温的六燃、屹立的六燃、移动的六燃、分布式博物馆四个特色分项，逐一探讨永续生活、在地纹理、文资诠释、治理策略、历史书写、博物馆典范的六种移动，思考六燃去中心、分布式博物馆的可能性。以艺术跨域实践、永续生活设计、智慧科技保育、田野走读漫游、六燃地方学讲座、博物馆焦点团体访谈等行动，逐步建构六燃地方学的知识系统与六燃生博物馆架构，明晰六燃文史的脉络，揭示六燃二战工业遗构的当代价值与定位，连结日本海军第六燃料厂与台湾高科技的脐带关系，将全球语境下的六燃生活、生命与生产之新意义带至光亮处，给出六燃活隐喻・活博物馆的文化路径与动态ç �统。
【编着简介】
赖雯淑
阳明交通大学应用艺术研究所副教授、文化研究国际中心研究员、质疑性艺术跨域实验室主持人。于美国爱荷华大学完成艺术设计硕士（MA、MFA）和艺术教育哲学博士学位，曾任美国爱荷华大学国际中心平面艺术设计师、美国德州安吉洛州立大学助理教授、加州柏克莱大学访问学者。自2018年起担任六燃保温睦邻计画与阳明交大六燃博物馆计画主持人，也是六燃国际互动剧场制作人，以及2019、2022六燃文件展策展人与论述者。她全力投入新竹六燃的保存与活化工作，透过艺术实践、研究与教学，探索六燃的问题，思考历史、记忆与人的意义。
【目录】
【序】Preface
新竹六燃的文化创生与实践／李永得
走进移动的六燃／林奇宏
新竹六燃让历史活在日常／王文基
【策展论述】Curatorial Statement
2022 六燃文件展：移动的六燃／赖雯淑
【保温的六燃】The Good-Neighboring Sixth Fuel Factory
从「艺术实践」到「生活实践」的六燃保温／赖雯淑
大烟囱下的保温日常：移动的六燃实验剧场／沈致轩
遨游夜精灵／黄彦翔、郑任翔、叶韦钲
重构历史记忆的六燃国际互动剧场／赖雯淑
《六燃剧外剧》手机微电影／赖雯淑
《幽灵记忆》多媒体光桌说故事表演／赖雯淑
《遇／预见六燃》纪录片／赖雯淑
六燃迎风而起：从王坤玉、陈明章、黄子轩到曙光之女／赖雯淑
慢设计／赖雯淑
千层派、大象与披萨：一串群策群力的博物馆制作想像／施承毅
燃后，然后？出版作为社会与艺术实践／赖雯淑
活的历史．消逝的地景／赵家麟、陈宣城
二战产业遗产的价值与意义／布莱恩˙ 古迪（Brian Goodey）、赵家麟
应用物联网与人工智能技术于六燃保温计画／林一平、郑昌杰
与蝙蝠和平共存的后疫情时代／陈怡宁
霜十回顾／张钧
【屹立的六燃】The Towering Sixth Fuel Factory
台湾半导体产业由0 到1 的风城奇蹟／史钦泰
屏山下的六燃：高雄炼油厂产业文化资产脉络初探／郭中端、堀込宪二、林子博、高绮蔓
我书故我在：图书章中的燃料故事／王俊秀
高雄六燃宿舍区之空间变迁与建筑型态初探／陈启仁
【移动的六燃】The Mobile Sixth Fuel Factory
日本海军第六燃料厂对新竹与高雄两个城市战后七十五年之变迁影响／赵家麟、林冠吟、梁信钧
新竹六燃大烟囱厂房的文化资产保存与诠释／林雅萍、何黛雯、邓咏嫣
眷村与城市：环境涵构的形成与演化／刘为光
新竹六燃活化再利用的刍议：从遗产诠释与管理的观点／荣芳杰
烟囱下的记忆仓库：战争长影中的六燃袭产诠释／黄舒楣
【分布式博物馆】A Decentralized Museum
行动代号：「地方感千层派」——六燃博物馆行动与推测计画／施承毅
从战争纪念博物馆之叙事观点谈新竹生博物馆／陈佳利
移动的六燃散步地图／邱筠颖
台北机厂的活化保存与国家铁道博物馆的建构／洪致文
文化路径的观点探究与对新竹六燃的想像／林晓薇
新竹六燃全区遗存设施（含大烟囱厂房、异辛烷合成工厂与触媒工厂区）整体城市发展原则与愿景／赵家麟、蔡乙慈、林冠吟
------------------
Book title: Living Metaphor・Living Museum III The Sixth Fuel Documenta 2022: The Sixth Fuel Factory in Motion
Editor: Wen-Shu LAI
Contributors: Chin-Shou WAN, Zhi-xuan SHEN, Chin-Tay SHIH, Yun-Ying CHIU, Tai-Wen HO, Yi-Bing LIN, Zi-bo LIN, Kuan-Yin LIN, Ya-Ping LIN, Hsiao wei LIN, Cheng-yi SHIH, Chi-Man KAO, Chi-Jen CHEN, Chia-Li CHEN, Yi Ning CHEN, Chin Wen HUNG, Zhong-duan GUO, HORIGOME Kenji, Shin-jiun LIANG, Chun-Chieh CHANG, Shu-Mei HUANG, Fang-Jay RONG, Chia-Lin CHAO, Yung-Yen TENG, Chang-Chieh CHENG, Wei-Kuang LIU, Wen-Shu LAI
Translator: Sheng-chih WANG
ISBN：9789865470326
Introduction
Only when the history, the people's life and the contemporary meanings are sincerely responded does the Sixth Fuel Factory get the value for its very existence
"The Sixth Fuel Documenta is not so much for studying the Sixth Fuel Factory as for understanding how meanings disappear and are reconstructed in the passing time and for how we remember, govern and construct the Sixth Fuel Factory."—— Wen-Shu LAI
"The Sixth Fuel Factory in Motion" not only offers the imagination of "the Museum in Motion" but also the motif of The Sixth Fuel Documenta 2022. Motion is not so much the breaking of fixed points as the transposition of selves beyond the frames. It is the shift of cognition, thought, and paradigm, as well as the advance of history, action, and discourse. The Documenta features four sections: the good-neighboring Sixth Fuel Factory, the towering Sixth Fuel Factory, the mobile Sixth Fuel Factory, and a decentralized museum. It discusses six kinds of movement including the sustainable life, local texture, cultural heritage interpretation, governance strategy, historical writing and museum paradigm to ponder the possibility of the Sixth Fuel Factory as a decentralized and distributed museum. The Documenta attempts to progressively establish a localogical knowledge system and a living museum framework for the Sixth Fuel Factory by means of transdisciplinary artistic praxis, sustainable life design, smart technology-based conservation, field trip and flâneuring, localogical lectures on the Sixth Fuel Factory and museum workshops. By clarifying the context of the culture and history of the Sixth Fuel Factory, the contemporary value and position of the Sixth Fuel Factory as the WWII industrial remains will be exposed. When the Japanese Navy's Sixth Fuel Factory and the high-tech industry in Taiwan are connected, the umbilical cord relationship will be revealed. The lives, beings and the produced new meanings under the global context will shine.The Sixth Fuel Factory will be given the cultural path and dynamic system of Living Metaphor﹒Living Museum.
此三本书获人文研究中心与机构联盟（美国）、梅隆基金会（美国）、教育部高教深耕计画特色领域研究中心、国立阳明交通大学文化研究国际中心、校务大数据研究中心资助
Sponsored by Consortium of Humanities Centers and Institutes (US) & Andrew W. Mellon Foundation, the Higher Education SPROUT Project through the Ministry of Education and the International Center for Cultural Studies , and the Center for Institutional Research and Data Analytics at National Yang Ming Chiao Tung University.