2019/12/6、13 女性影展交大巡迴場次:性別移民與女性主義影像創作
12/06 (五) 10:10-12:00
信使-返向漂流與南洋彼岸 Nanyang Express: Trans-drifting and South Sea Crossing
台灣Taiwan│2018│DCP│Color│13min
早年金門人大量離鄉前往南洋尋求工作機會,僅憑著一封封代寫的家書寄給記憶裡逐漸模糊的親人們。於是我以信使的身份,重新踏上這條家族跨島遷移的移民路徑,透過實地拍攝紀錄、信件文本、口述記憶等經驗,構築出屬於金門出洋客的生命故事。
In earlier times, a lot of Kinmenese went to Southeast Asia in search of job opportunities, all they could do to keep in touch was to write letters to their relatives, whose images before their eyes became increasingly blurry.
反叛繆斯:黛芬與凱洛 Delphine & Carole
法國France|2019|DCP|Color, B&W|68min
傳奇女導演凱洛・盧索帕洛生前,將最後一部片獻給黛芬・賽麗格。這位曾在《去年在馬倫巴》、《珍妮德爾曼》等鉅作留下經典身影的繆斯,更是女性主義陣線上與導演並肩作戰的最佳拍檔。一部作品的真正完滿,卻是在凱洛過世後,由孫女導演接手完成。片中黛芬與凱洛的合作情境,不時和法國女性解放運動疊合呼應,犀利風趣的對話和戰鬥力滿點的身影更讓人肅然起敬。
The meeting between Delphine SEYRIG and Carole ROUSSOPOULOS drives us to the heart of the feminism of the 1970s. With a video camera in hand, they engage in radical fights with insolence, intransigence and humor.
12/13 (五) 10:10-12:00
漂流廚房 Homesick Tongue
台灣Taiwan│2019│DCP│Color│81min
科雅娘家遠在柬埔寨,想念媽媽時,她要放下台灣的家庭,才能再見到爸爸媽媽。莎麗的爸媽已經不在,每次照著記憶裡媽媽的家常菜做法,就彷彿回到媽媽在的時光。從未有過遷徙經驗的導演,在國家邊境裡被移民官誤認為另一個人,此後,「我是誰?」在她腦中揮之不去。
The director had never experienced the pain of migration. Then, she got mistaken for someone else at a foreign country’s immigration checkpoint. Ever since the incident, she have been wondering “who am I?”.